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“photography”

Sotomayor's Nassau Herald Portrait

Sotomayor's Nassau Herald Portrait

Just kidding. No, but seriously, check out her yearbook page from the Nassau Herald. She quotes six-time socialist presidential candidate Norman Thomas, Princeton class of 1905! Did you hear what I said? SOCIALIST.

Sotomayor’s yearbook page and Pyne Prize photo after the jump:

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This fall will mark the 40th anniversary of coeducation at Princeton. Let’s look at some photos of the 171 trailblazing women who arrived on campus in 1969.

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Midriff exposed!

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Candid!

More after the jump:

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With Houseparties approaching faster than we can finish our JPs, we thought we’d offer some inspiration and share some pictures of a Princeton dance in 1960, before coeducation (via Ivy-Style). Note the awkwardness:

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A Japanese photographer traveled to Ivy League schools in the late 1960s to document the American Trad/Ivy League Preppy style of the era. Copies of the book are very hard to come by (a copy was just sold on eBay for $1500), and photos from the book have been circulating the blogosphere like crazy in recent months.

Here are photographs from the book that depict Princeton. Take a gander! And pine away for a bygone era. (Except for the whole anti-black/anti-women part…)

Click for full-size images.

Take Ivy, Front CoverTake Ivy, Inside CoverTake Ivy, Photo 1Take Ivy, Photo 2Take Ivy, Photo 3Take Ivy, Photo 4Take Ivy, Photo 5Take Ivy, Photo 6

(image sources: thetrad.blogspot.com & acontinuouslean.com)

Glamorized depictions of the new Butler dorms often leave out these more seedy images:

Especially noteworthy is the fact that a blockade of a primary Scully entrance has led many residents to resort to maneuvering through this narrow passage in order to save a few steps on the way home:

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The Lucas Gallery, housed in 185 Nassau St., is currently running an exhibition of artwork from students in fall semester ceramics, drawing, painting, photography and sculpture classes.

Here’s a glance of what you’ll see as you walk through the gallery:

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One of the most prominently-featured pieces is this work by Cristina Flores Monckeberg ‘12:

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